Continuous Publishing and the digital republic of letters

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It has become something of a truism that we (that is academics) live in a time of intensification of academic labour with its technologies of surveillance such as research assessment exercises, key performance indicators, and metrics of productivity.  We are caught up in what Mark Carrigan has referred to as the ‘accelerated academy’ and its toxic and murderous effects.  It is this ‘toxic academy’ that I have directed some of my own energy, partly through my blog but more recently through more ‘legitimate’ (?) forms of academic publishing (book chapter under review).

In response to this situation some have called for the institution of a slow university that draws on the ethos of the slow food movement.  Others, however, have championed forms of open scholarship and open access as alternative or complementary practices.  Indeed some initiatives, such as the online journal Hybrid Pedagogy, deliberately situate themselves in this space.

Many of these debates congregate around the issue of academic publishing in these accelerated times.  In particular they attend to a number of intersecting issues:

  • the closed nature or privatisation of academic traditional publishing
  • the impact of the digital on traditional analogue publishing.

I won’t go into these issues in detail.  However, there has been growing concern about the dominance of academic publishers over the nature of academic labour, and that this constitutes a privatisation of what should be regarded as a public good.  The digital landscape has been seen by some as opening up a new republic of letters, a new way of reconnecting scholarship with its many publics.

My own scholarly practice has been impacted positively, in my view, by this more recent idea of a DIGITAL REPUBLIC OF LETTERS.  As Edward Said would note, there are many beginnings associated with this turn in my practice.  Specifically, I was inspired (and I use that term deliberately) by a number of articles in the LSE’s ‘Impact of Social Sciences’ blog.  These articles deal with the practice of continuous publishing.  One ‘beginning’ was my reading of Mark Carrigan’s discussion of The Open-Source Academic and the use of participatory media (for instance blogging and twitter).  I followed this discussion through two sister articles written by Mark and Pat Lockley.  They noted that “We need to have an ongoing and honest conversation about what academic publishing is, what it could be and what it should be.”, drawing attention to the perverse incentives generated by the particular kind of reputational economy that the accelerated academy is producing.  In this scenario university managers appear to fetishise metrics of academic productivity, being obsessed with improving their institutions’ relative position in an insular economy.  This particular reputational economy is increasingly divorced from the the big issues, and leads to public goods (research knowledge) being locked behind ever expensive paywalls.  They then go on to argue that multiple forms of publishing – journals, blogs, twitter, etc. should become the norm if we are serious about public engagement, and could enhance more traditional forms of reputational value.  Bonnie Stewart has done some incisive work looking at twitter activity as a measure of impact and contribution in open scholarly networks (which often sit alongside the traditional mode) (and it is important to mention Bonnie’s work here since a brief review of the LSE ‘Impact’ blog shows that men seem to be dominating this discussion in that particular space even though my personal empirical experience is of a dynamic network of women driving much of this forward).

But I think there is something beyond the #altmetrics buzz we are getting just now, something that has to do with ethical choices about the kind of academic you want to be.

I am struggling with this right now, caught between embracing digital and open scholarship as a strategy of increasing professional presence and public engagement (though the matter of publics is in need of serious deconstruction), and something more akin to #alt-ac.

My engagement with the work of Mark Carrigan and Pat Lockley came at a moment (a beginning) where I was reconsidering my place in academia, indeed whether I wanted to remain in it all.  A good colleague of mine had been gently nudging me to venture further into the digital and open scholarship space, and to build on my existing blog.  While my blog had initially been developed with a vague idea of the potential of participatory media as a platform for reflection, this was to be further and more deliberately developed later in response to my embracing of the digital identity.  This signalled a desire to refashion my professional identity and practice, to explore the opportunities afforded by ‘digital’, ’openness’, ‘connectedness’. 

In part this is a continuation of traditional modes of academic endeavour.  My sister blog ‘The Broken Academic’ is a vehicle for rehearsing ideas and writing leading to academic publication.  And in my main blog I am currently trying to tease out my understanding of various literatures in relation to aspects of learning and teaching in higher education, with the intent of publishing.  But I have taken to heart the ethic of continuous publishing as also being about uncovering the artfulness of academic writing, of its created sense; to capture in blog posts some of the messiness, the experimentation, so that it does not appear as ready-formed, as rationally produced, as the mere outcome of a recipe that one simply needs to follow.  In this it is a refashioning of the self and a framing of ‘engagement’ as making oneself vulnerable, and so undermining the potential mantle of ‘expert’.  Is this, though, a kind of ‘academic suicide’, a denial of the possibility of being an ‘academic’?

And this is why it is more than enhancing the traditional form of academic publishing (while not, as yet, refusing that offer completely). 

Jacque Ranciere is a fantom here, present not in his corporeal person but in his evocation of a spirit – the spirit that says “Enact openness and see what happens”.  I am seeing what happens, and what ‘openness’ might mean.

It is taking on interesting forms.

While for me the digital and open scholarship practices that I am trying to enact are about ‘connected scholarship’ I find myself enjoying the company of folks who might be described (inscribed?) by the term ‘connected learning’.  This space is defined by certain practitioners and certain concepts and certain networks, many of which overlap:

  • @catherinecronin; @bali_maha; @GoogleGuacamole (Laura Gogia); @JeffreyKeefer; @jessifer, @bonstewart, etc (just some most pertinent to this particular discussion) I am new to most of these folks and in a few short, but intense months, have learned so much that I doubt I can go back to where I was; and the use of ‘@‘ is deliberate because that is how I mostly know/communicate with them, the platform that carries the learning;
  • #connectivism; #connectedlearning; rhizomatic learning; digital scholarship; #digiped; #openscholar, etc. – and again the ‘#’ is instructive as to how I engage with these;
  • Hybrid Pedagogy/@HybridPed; @LSEImpactBlog; #TJC15 (via Laura Gogia); and now #rhizo15.

Now that most of my teaching has become f-2-f (having been distance/blended for so long), I find myself embedded in conversations about hybrid/connected/rhizomatic learning.  And although my concerns are with digital and open scholarship the crossover conversations are stimulating, push me beyond the familiar and habitual, push me into uncomfortable (but enriching) liminal spaces.

And, finally, perhaps this is what I really want to say:

I had imagined academia as a place where we regularly engaged in stimulating intellectual discussion, where, when one was teaching there would be pedagogic debate.  I never believed that this would happen all of the time.  But I had worked in spaces that on the surface appeared to share similar creative impulses (in community arts and education).  In those spaces debates/discussions/considerations of principle, of ideas, of pedagogy were central to what we did – TO OUR DAILY PRACTICE, TO OUR DOING.  Approaching 20 years in academia, in the company of the folks, the concepts, and the networks above, I find myself in that kind of stimulating arena, of being daily tested/attracted/disgruntled. 

BUT much of my normative/paid ‘academic’ doing is dominated by timetabling, meeting committee deadlines, instrumental demands around introducing modules rather than why we are doing it, what does it mean for teaching or for learning (and so for who we are or could be as academics).  Academic publishing and conferences are seldom experienced as invigorating but as enervating.

So, the discussions of continuous publishing speak, to me, of where we experience the kinds of discussion that academia should have, the spaces where we engage with people and ideas and practices that place us in liminal spaces, and therefore powerful learning.

What’s the point of this blog …….the author responds to himself

Following my recent blog post I feel the need to respond to myself.  Listen to the short podcast where I explore further ideas of digital scholarship and how they are affecting my pedagogy and scholarship.

I mention a number of inspirational (for me) sources:

The Digital Scholar: How Technology Is Transforming Scholarly Practice by Martin Weller

Designing for learning in an open world by Gráinne Conole

The Rights’ Future by Conor Gearty

What’s the Point……of writing this blog?

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I have been thinking a lot recently about my aversion to writing this blog.

Of course, events in the summer disrupted the flow, introduced some new sense of urgency around particular concerns, then….very little.

It was as if I had lost faith in what I was doing here, of doubting the efficacy of this project.

Some recent reading around public pedagogyand digital scholarship has encouraged me to revisit my purpose here and to try and reframe what and how I want to write.

This is not necessarily a radical change in what I had set out to do initially, but perhaps simply gives me more impetus.  It picks up on an effort within my teaching to share with students the processes underlying the pedagogy, of revealing the pedagogic purpose of what I am inviting them to participate in.

This revisiting of the purpose of writing a blog like this is to bring my attention to certain key terms:

What do I mean by ‘public’?

What publics do I have in mind in engaging in this kind of writing? The kind of writing we engage in, the types of event or outlets through which we seek to present our intellectual work all speak to both who we want to enter into conversation with and what kinds of conversation we want to have.  Hopefully I can clarify this (to myself) as I continue the process of writing in this public forum.  The word public can also suggest a certain breaking down of hierarchies, but how true is that?

Scholarship – an elite practice?

I remember a response from Beatrix Campbell to a right wing politician who was deriding academics and ‘theory’, where Beatrix noted that ‘theory was another name for thinking’ so was the politician against thinking?  In the context of the managed academic CV where what we write about is of less importance than the ‘value’ our academic endeavours can bring to the institution (as if it was separate from us) – as the recent Research Excellence Framework exercise demonstrates – attention to academic work as a form of public good is critically important.  Higher education scholarship must speak to the major issues that affect people, and do so in a way that is not defined by the interests of institutional game-playing or private profit. This is allied to scholarship as a public activity.  Therefore, while we may, individually, have to keep in mind our scholarly outputs for promotional purposes, we have to be mindful of how public knowledge is increasingly being privatised by the dominance of the major publishing companies.

Which brings me to the digital scholarship debate.

And here I simply refer to the responsibility incumbent upon academic workers to make our work more publically available.

In particular I am going to revisit the idea of blogging as a form of continuous scholarship that simultaneously is focused towards the scholar (the development of ideas that may become other kinds of academic output) and outward as public scholarship that deconstructs the process of knowledge work, and contributes to a revisioning of scholarship as a public practice.